Indianapolis Africans brought forcibly to the…see the full review in December’s magazine.
Donald Lipski
Miami Donald Lipski has earned a reputation…see the full review in December’s magazine.
Rie Hachiyanagi
Atlanta After working for 18 months on…see the full review in December’s magazine.
Vincent Szarek, Kristopher Lee, and Misaki Kawai
Washington, DC Vincent Szarek, Kristopher Lee, and Misaki Kawai ravenously…see the full review in December’s magazine.
Meg Cranston
Los Angeles Meg Cranston’s newest sculpture is…see the full review in December’s magazine.
Eduardo Chillida
West Hollywood On August 22, the preeminent…see the full review in December’s magazine.
Tony Smith: In the Ether of Solids
Smith perpetually explored the variations of the invention of space through form…see the full review in December’s magazine.
Swept Away: Carl Andre’s Grave and Early Earthworks
The “quintessential Minimalist” also participated in the fracturing of that order….see the full review in December’s magazine.
Eva Redux or What Do We Owe Eva Hesse?
A retrospective presents Hesse’s idiosyncratic materials and emotionally nuanced forms….see the full review in December’s magazine.
Cosmological Shadows: A Conversation with Bill Vazan
Mirages (Delta de Métis), 2002. Granite, 5 boulders, 15 ft. high. Site-specific work at the juncture of the Mitis and St. Lawrence Rivers. Physically imprinted on the land surfaces of five continents over the past 30 years, Bill Vazan’s land art projects originated in the conceptual and Minimalist art tendencies of the 1960s.
