To meet Andrew Rogers is to be immediately aware of his vitality and optimism—qualities that, combined with his drive and commitment, have led him to produce some 300 works in bronze since 1988. In addition, he possesses an admirable flexibility that has enabled him to move into parallel areas of sculptural practice: his oeuvre includes
Lourdes Cue
Minneapolis Like many artists and writers of the…see the full review in April’s magazine.
The Life of a Place: Dani Karavan
Dani Karavan has constructed a reputation in Europe, Israel, America, and Asia by working independently of the standard support structures made available to artists….see the full feature in April’s magazine.
Panya Clark Espinal
Peterborough, Canada Toronto-based sculptor Panya Clark Espinal mucks…see the full review in April’s magazine.
Matthew Zupnick
Fulton, MO Because most of us love either…see the full review in April’s magazine.
Tony Cragg
Rome Organization and careful assemblage…see the full review in April’s magazine.
Barbara Hepworth
St. Ives and Yorkshire, U.K. Last year was the 100th anniversary of…see the full review in April’s magazine.
The FACTs: A Conversation with Eddie Berg
Any history of the mutating developments in ’90s new media art must include Eddie Berg. Born and raised in Liverpool, England, the art-Berg began as an enthusiast and “made something out of nothing.” In 1988, he founded the Foundation for Art and Creative Technology (FACT), a Liverpool-based agency for the exhibition, support, and development of