Philadelphia Fritz Dietel’s sculptures of the last…see the full review in September’s magazine.
David Opdyke
Brooklyn Once the pastime of hobbyists…see the full review in September’s magazine.
John Grade
Seattle John Grade’s fourth solo show in…see the full review in September’s magazine.
Gregory Barsamian
Pittsburgh Using the idea of a zoetrope…see the full review in September’s magazine.
Yayoi Kusama
Tokyo After a 50-year career, which has…see the full review in September’s magazine.
Digital Sculpture: Ars Ex Machina
In the mid-19th century, Oliver Wendell Holmes hailed the photographic, dual-image “stereograph,” a term he coined, as mankind’s greatest achievement because its three-dimensional illusion allowed “form henceforth divorced from matter.”1 Since that time, form has repeatedly asserted its independence from matter in myriad photographic and cinematic inventions.
