Portland, OR At the Portland Institute of Contemporary…see the full review in January/February’s magazine.
“Artists Crossing Lines”
Pittsburgh “Artists Crossing Lines,” a group show…see the full review in January/February’s magazine.
Martha Jackson-Jarvis: The Process of Discovery
The obsessions that awaken mixed-media artist Martha Jackson-Jarvis each day emanate from her love of family, her passion for cooking, and, she’s the first to admit, from her unabashed fascination with the elastic dimensions of clay.
A Question of Perspective: Sculpture by Charles Ginnever
Charles Ginnever was on vacation in Maine in 1993 when he went to work on a design that had already been in his mind for a while. He started, as he often did, by tinkering with shapes cut from foam core; when he was done, he had produced an object that could stand freely in
Lynden Cline and Michael Miller
Wilmington, DE The galleries at the Delaware Center for…see the full review in January/February’s magazine.
Jaume Plensa
New York The Barcelona- and Paris-based conceptual…see the full review in January/February’s magazine.
Yukata Sone
Los Angeles For his first solo U.S. museum exhibition…see the full review in January/February’s magazine.
Playing with Fire: Armand Vaillancourt
During the summer of 1987, while visiting Quebec City, I first met Armand Vaillancourt as he was working on Drapeau Blanc, a monumental sculpture composed of over 92 tons of calcite brought in from the Saguenay Lac-St.
Forum: Australia’s Sculpture Prizes
Robert Bridgewater, Red Trunk and Black River, 2003. Finalists for the Helen Lempriere National Sculpture Award. After a lapse of nearly 40 years, prizes, for a variety of reasons, have again become popular in Australia.
