Richmond, Virginia Seattle-based critic Matthew…see the full review in November’s magazine.
Art Basel Miami Beach 2004
Flowers in the air weren’t a big surprise given the fact that international art had come to the Sunshine State for the second time. It seemed like all the “powers” had joined hands to make it an even bigger success than the first Miami show of 2002.
Morton Rosengarten
Sherbrooke, Canada Whether they be studies of the…see the full review in November’s magazine.
Marianne Weil
New York There were depths to this exhibition…see the full review in November’s magazine.
Tracy Heneberger
New York Standing in front of Tracy Heneberger…see the full review in November’s magazine.
Eduardo Paolozzi: An Appreciation of Her Majesty’s Sculptor-in-Ordinary
To view Eduardo Paolozzi’s body of work as he turns 80 is to go from the wonder of childhood to the logic of computers and the weapons of modern warfare….see the full review in November’s magazine.
2004 Bellevue Sculpture Exhibition
Bellevue, Washington Set in Downtown Park in Bellevue, Washington, the 2004 Sculpture Exhibition had something for everyone. The small park is a semi-formal setting, with a large pond and artificial waterfall at its center, informal trees around the perimeter, and large areas of unarticulated green lawns, all ideal settings for outdoor sculpture.
Ann Stoddard
Ft. Washington, Maryland The funny relationship that…see the full review in November’s magazine.
The Shadow of Life’s Mechanisms: A Conversation With Miroslaw Balka
Worn medicine balls-used in Poland for physical therapy exercises-slowly turn counter-clockwise threaded on a steel rope, evoking the passage of time and the unflattering effects of aging….see the full feature in November’s magazine.
Expanding Space/Engaging Viewers: Mirrors and Reflective Materials in Contemporary Sculpture
Contemporary sculptors are using mirrors and reflective materials in exciting new ways to expand space and engage viewers. The mirror theme also seems to be popular with curators, and reflective surfaces are popping up in many group shows, including the 2004 Whitney Biennial.
