In the mid-1980s, Manuel Neri began building sculptures that evoked the relief carvings and architectural friezes of antiquity, a materially substantial format based on the integration of figure and ground. At that time, he had been giving exclusive attention to the figure for more than 20 years and already was closely identified with the solitary
Kirsteen Pieterse
Sydney An architectural model signifies an idea…see the full review in September’s magazine.
“La scultura italiana del XX secolo”
Milan The Fondazione Arnaldo Pomodoro, described…see the full review in September’s magazine.
“Ice Follies 2006”
North Bay, Ontario, Canada “Ice Follies,” a biennial exhibition on the…see the full review in September’s magazine.
Anna Skibska
Portland, Oregon Glass rods, only two millimeters thick…see the full review in September’s magazine.
Patricia Piccinini
New York In 2004, Robert Miller presented several…see the full review in September’s magazine.
Andrei Molodkin
New York “Eternity Crude Oil,” Andrei Molodkin’s recent…see the full review in September’s magazine.
Rebecca Holland
New York Watermelon is not my favorite flavor of…see the full review in September’s magazine.
“Archival to Contemporary”
Brookville, New York It seems unlikely that an organization…see the full review in September’s magazine.
