Karina Peisajovich was born in Buenos Aires in 1966. Her approach to art theory and practice began at the National School of Fine Arts Prilidiano Pueyrredón in 1984. Three trips have been crucial in her career.
Peter Blizzard: Venerating the Earth Through Sculpture
For a young artist, a meteoritic rise to fame can sometimes be followed by a painful decline—or at best, a long stationary period on a plateau. Conversely, an arduous uphill climb may be frustratingly slow, but the subsequent rewards tend to be lasting.
“Newark Between Us”
Newark, New Jersey Bringing “big” to New Jersey, curator Rupert…see the full review in December’s magazine.
“Global Feminisms”
Brooklyn The friendship of Judy Chicago and…see the full review in December’s magazine.
Siah Armajani: Fallujah and Other Recent Glass Constructions
Siah Armajani is best known for his public art—bridges, poetry gardens, gazebos, and reading rooms. His stated intention is to create “neighborly” spaces, architectonic sculptural spaces into which we enter and encounter one another, democratic spaces within the public realm where people are brought together.
Joan Giordano
New York “Presences,” the title of Joan Giordano’s…see the full review in December’s magazine.
Sculpture Invasion
“Sculpture Invasion,” a temporary exhibition of 47 sculptures sprinkled into the permanent sculpture collection at Oakton Community College in Des Plaines, Illinois, was the latest in a series of exhibitions inaugurated by Chicago Sculpture International (CSI), the first local chapter of the International Sculpture Center.
Gerda Meyer Bernstein
Chicago Gerda Meyer Bernstein’s “Bearing Witness,” a series…see the full review in December’s magazine.
Zoran Mojsilov
Minneapolis As “Twenty Years in America” made clear…see the full review in December’s magazine.
Marcos Rosales
Brooklyn Marcos Rosales’s first solo show in New York…see the full review in December’s magazine.
