Anne Wilson: New Labor
Anne Wilson’s impeccably executed sculpture is grounded in an aesthetic revolution forged by Post-Minimalists, feminists, and fiber artists who took up malleable, expressive, fibrous materials in the late 1960s and ’70s to challenge the intellectual and physical rigidity of Minimalism.
Paul Dibble
Auckland and Potts Point, New Zealand Paul Dibble is arguably New Zealand’s…see the full review in May’s magazine.
Alain Kirili: The Sculptural Body
Artists are urban creatures, especially in youth, and they nearly always choose one metropolis in preference to every other—the grainy immediacies of New York, for example, or the refinements of Paris. Alain Kirili is perhaps the only artist of his generation to belong to the art worlds of both cities.
Julianne Swartz
New York “Hope,” Julianne Swartz’s second exhibition at…see the full review in May’s magazine.
Chicago: Sculpture in Burhman’s “Paris on the Prairie”
Laszlo Moholy-Nagy brought Modernism to Chicago in 1937 when he founded the New Bauhaus, later the Institute of Design, where Harry Callahan, Aaron Siskind, Nathan Lerner, and other important photographers taught. For a long time, Chicago was a photo town.
Katie Pell
Dallas For San Antonio-based Katie Pell, customization is…see the full review in May’s magazine.
Louise Bourgeois
Mountainville, New York Louise Bourgeois’s Storm King show captured the…see the full review in May’s magazine.
Once Upon a Time: A Conversation with Andrea Loefke
German-born Andrea Loefke lives and works in Brooklyn, New York, constructing complex conglomerates of material and form, working from innumerable materials, both decorative and everyday. These supplies overflow from the categorized shelves and bins of her studio.
Michael Burke
New York “People are baffled when I put anything aesthetic”…see the full review in May’s magazine.
