George Quasha’s Axial Stones is a book about…see the full review in January/February’s magazine.
Lee C. Imonen: Nature, Technology, and Myth
Lee C. Imonen’s recent public sculpture is rich in references to nature, architecture and technology, myth, and the artist’s memories of childhood stories. Broadly cultural as well as personal, Imonen’s sculpture is also art historical, relating not only to 20th-century Modernist practice from Constructivism to di Suvero, but also to the Romantic cult of the
Martin Puryear: Spirit, Personhood, and History
Martin Puryear’s work muses on spirit, personhood, and history as a sort of antidote to the nation’s present identity crisis. His retrospective exhibition at the Museum of Modern Art, traveling until 2009 to the Modern Art Museum of Fort Worth, the National Gallery of Art in Washington, DC, and the San Francisco Museum of Modern
Lee Bontecou
New York It has been mentioned that Lee Bontecou was…see the full review in January/February’s magazine.
Aga Ousseinov
New York The Russian artist Aga Ousseinov grew up along…see the full review in January/February’s magazine.
Antony Gormley
London The Hayward Antony Gormley’s presence in London last summer was difficult to ignore, with a specially commissioned installation, Event Horizon, signalling the opening of his exhibition from the city’s skyline. This ambitious urban sculpture positioned casts of the artist’s body on rooftops and walkways around the concrete jungle inhabited by The Hayward.
Vincent Lamouroux
Los Angeles French artist Vincent Lamouroux’s Clust looms overhead…see the full review in January/February’s magazine.
Joseph Cornell
Salem, Massachusetts Thanks to the popular press, we have…see the full review in January/February’s magazine.
James Turrell
New York A plain gray walI greeted visitors to…see the full review in January/February’s magazine.
New Vocabularies: A Conversation with Zhang Huan
“I’m trying to find a new vocabulary to express certain things artistically,” Zhang Huan says. This comment applies to everything from his earliest performances in a poor part of Beijing, which he named the East Village, to his recent two-ton self-portrait as Buddha.
