Minneapolis A standout at the last Whitney Biennial…see the full review in October’s magazine.
John Armleder: Tasting the Pudding
Products, sounds, images—contemporary culture swamps us with sensory overload. “Too Much, ” opines John Armleder, “is not Enough.” (The quirky capitalization in the show’s title is Armleder’s.) In his first solo U.S. museum installation, Armleder took over the entire 10,000-square-foot exhibition space at the Rose Art Museum in Waltham, Massachusetts, and filled it with a
Shirley Tse
Santa Monica Shirley Tse’s recent exhibition extended her…see the full review in October’s magazine.
Nahum Tevet
Jerusalem Sculptor Nahum Tevet might be likened to…see the full review in October’s magazine.
Icons and Monuments: Olympic Sculpture Park
The Seattle Art Museum’s new Olympic Sculpture Park is important for a number of reasons, not the least of which is that it provides Seattle with the downtown central park it never had. That, and the fact that landscape architecture plays a greater role than in many other urban sculpture parks, suggests that, while OSP
Gerard Williams
New York Gerard Williams’s clever versions of windows…see the full review in October’s magazine.
Art You Can Feel: The Vancouver Sculpture Biennale
I am riding a bicycle for the first time in 20 years, and “my” city has opened up to me like a jack-in-the-box. I am making a tour of 24 sculptures from 11 countries, which have been nestled in Vancouver’s public landscape for 18 months.
Jason Hackenwerth
New Haven Jason Hackenwerth’s Revenge of the Megadon…see the full review in October’s magazine.
Paul Neagu: Cross vs. Hyphen—Global Symbols Revisited
Sooner or later, anyone approaching Paul Neagu’s sculpture is bound to experience the challenge of his Hyphens. The prototype resembled an unconventional workbench or an easel for making objects or drawings. It was first exhibited in 1975 at the Museum of Modern Art in Oxford, where it generated much attention and curiosity.
Whiting Tennis
Seattle About five years ago Whiting Tennis was…see the full review in October’s magazine.
