Situated on the edge of San Francisco at Pier 14, flanked by the Bay Bridge and the Ferry building, by Claes Oldenburg and Coosje van Bruggen’s unmistakable bow and arrow monument, Cupid’s Span, and Mark di Suvero’s 70-foot kinetic sculpture, Sea Change, Louise Bourgeois’s Crouching Spider is poised and seemingly ready to march into the city.
“Natural Inclinations”
McLean, Virginia “We are all tenants on the planet,” says Marc Robarge…see the full review in April’s magazine.
Polly Apfelbaum
Richmond, Virginia ln Lovekraft, the second in a trilogy of…see the full review in April’s magazine.
The Dream of the Moving Statue
Early in 2002, a photo was published in the Guardian of a nude figure lying among the debris of the World Trade Center in the Fresh Kills landfill on Staten Island. The ambiguities in this image are manifold.
Peter Rogiers
Los Angeles Reconsidering the sculpturaI repertoire that extends from…see the full review in April’s magazine.
Robert Boyd
Middletown, Connecticut Though the material stuff of Robert Boyd’s Xanadu…see the full review in April’s magazine.
Arnaldo Pomodoro: Within/Without
Arnaldo Pomodoro was awarded the Lifetime Achievement Award from the International Sculpture Center in 2008. For a full list of Lifetime Achievement Award recipients, click here. For more than half a century, Arnaldo Pomodoro has been making prescient, penetrating observations about modern life with his sculpture, expressing the inherent intimations, tensions, and tenuous, fleeting joys of the postwar era
Marisol: Stories of the Self
A lot has been written about Marisol Escobar, often focusing as much on her legendary eccentricities as on her art. In his recent memoir, Irving Sandler recalls her participating in a panel at The Club in the early 1960s, wearing a white mask; she was infamously known for “her silences and one-word responses to any
Alberto Gaitán
Washington, DC One drip, two drips, three drips, four drips…see the full review in April’s magazine.
Sculpting Consciousness in Time and Space: A Conversation with Ned Kahn
MacArthur Fellow Ned Kahn is one of the most undefined artists working today. And that is just the way he likes it. His refusal to be pigeonholed grants him the freedom to embark on projects of his own choosing, whether they be wind curtains to cover the urban blight of a concrete parking garage or
