John Henry is a prominent sculptor with large-scale outdoor installations on five continents and work in many museums and private collections. His sculptures recall Constructivism, but while the Russians made visionary drawings and models, Henry has built more than 2,000 architectonic structures from long shafts and hollow plates of steel.
“Material Terrain”
Bellevue, Washington The third floor of the 36,000-square-foot…see the full review in May’s magazine.
Keith Tyson
New York The first glimpse of Keith Tyson’s…see the full review in May’s magazine.
Meg Webster’s Nature/Technology
Long before it was fashionable, when green was more commonly associated with the color of golf pants, Meg Webster was making work that reflected her interest in ecology, recycling, and the environment. In the late 1980s, taking a cue from Land Art and Minimalism, she began to explore the complicated relationship between nature and technology
Richard Deacon: Beyond Explanation
Last winter at L.A. Louver, Richard Deacon, in association with Matthew Perry, premiered Dead Leg (2007), a new large-scale sculpture composed of twisting, elongated sections of oak and custom-fabricated, stainless steel couplings, and the work later traveled to the Portland Art Museum.
Nobuhito Nishigawara
Seattle Ceramic sculptor Nobuhito Nishigawara was born in…see the full review in November‘s magazine.
“Sculpture in the 21st Century”
Chattanooga, Tennessee Chattanooga is attracting sculptors with its…see the full review in May’s magazine.
Excavating Land Art by Women in the 1970s: Discoveries and Oversights
In New York in the 1970s, widespread desire for anti-traditional forms of behavior and art, surging feminist solidarity, and nascent environmentalism moved innovative women sculptors who worked in nature into a new presence in the art world.
Richard Serra’s Te Tuhirangi Contour: Time in the Space Between
Stretching for almost 800 feet and standing just under 20 feet high, Te Tuhirangi Contour is Richard Serra’s largest sculpture to date. Like most of Serra’s works situated in outdoor, natural landscapes, Te Tuhirangi Contour has received scant critical attention since its completion in 2001.
