Wakefield, U.K. This major retrospective of sculptures and…see the full review in May’s magazine.
Chowdhury Satya Narayana Patnaik
New Delhi Chowdhury Satya Narayana Patnaik’s artistic journey spanning over…see the full review in November‘s magazine.
Valérie Blass: It’s a Surface Situation
Valérie Blass turns everyday matter into an exposure of the psychic drift of our times. By building a hybridity into the things she fabricates, she causes us to question our perception of what is there. Deux assemblages crédibles à partir de mon environnement immédiat (2007), shown in the first Quebec Triennial at Montreal’s Musée d’art
Phil Price: Shape-Shifting Sculpture
Robert Irwin once stranded an East Coast art critic alongside a southern California roadway for obstinately refusing to consider hot rod building an art form. Irwin, a custom car builder in his youth, considers the Go & Show hot rod the apex of car customization art.
Christchurch: Sculpture as Urban Design Strategy
There is a new vogue in the traditional Garden City of Christchurch—art in public spaces. Public sculpture is all the rage, on the minds and agendas of artists, curators, gallery owners, urban designers, landscape architects, and the press and public alike.
Richard Serra’s Paris Promenade
Last spring, Monumenta transformed the historic Grand Palais in Paris for the second time, inviting Richard Serra to engage with the cavernous 145,000-square-foot volume that defines Henri Deglane’s 19th-century glass cathedral. By sponsoring these high-profile, site-specific interventions by contemporary artists (Anselm Kiefer was the first), the French government has restored the viability, public function, and
Michael Todd
Los Angeles Michael Todd presented work in the…see the full review in May’s magazine.
Sculpture Today: A Conversation with Alyson Shotz
For the past decade, Alyson Shotz has created sculptures and installations for public and private spaces in which light, texture, and material evoke sensations of movement and dynamism and create new and unexpected visual perceptions. Widely shown in the United States, she has exhibited at a number of major institutions, including the Aldrich Contemporary Art
Peripheral Visions: A Conversation with Linda Fleming
In the late afternoon light of the Western Nevada desert, the hard work of sand spiders becomes visible when the sun angle is just low enough to be caught by the glistening dew. This is the world that inspires Linda Fleming, a world apparent only out of the corner of one’s eye.
