“I moved to South Africa in order to find another way of working, one which can make a substantial difference to other people’s lives,” Liza Lou says. Her recent barbed-wire-topped cages and disintegrating prayer rug reliefs have glistening glass surfaces that draw attention to borders and skin.
Dale Chihuly
San Francisco Since Dale Chihuly averages one museum exhibition per month…see the full review in April’s magazine.
Shambhavi Singh
New Delhi Like many artists in contemporary India, Shambhavi Singh has…see the full review in April’s magazine.
Benjamin Jurgensen
Washington, DC “Don’t Ready To Die Anymore,” the grammatically strained…see the full review in March’s magazine.
Yvette Kaiser-Smith
Chicago Yvette Kaiser-Smith’s walI sculptures stretched in…see the full review in March’s magazine.
Jim Campbell and Mark Scheeff
Pittsburgh Except for certain advanced robotics, technology seems…see the full review in March’s magazine.
The Labyrinth in the Tower: A Conversation with Diana Al-Hadid
Syrian-born Diana Al-Hadid lives and works in Brooklyn, New York. Her first New York solo exhibition, “Reverse Collider,” takes its title from sources that range from Pieter Brueghel the Elder’s historical vision of The Tower of Babel (1563) to the futuristic-looking Large Hadron Collider or particle accelerator at CERN, in Geneva, which seeks to find “the god
Brave New Art: The Sculpture of Anselm Reyle
Anselm Reyle has enjoyed one of the swiftest art scene careers in recent years. His works are in famous private collections, appear in the best galleries, achieve record prices at auctions, and feature in important exhibitions like the critically acclaimed “Unmonumental” at the New Museum in New York.
XIII Biennale Internazionale
Carrara “Nient’altro che scultura/Nothing but Sculpture,”…see the full review in March’s magazine.
“Life on Mars”
Pittsburgh Last year, for the first time since its inception…see the full review in March’s magazine.
