For just over a month (November 1–December 15, 2008), Amsterdam’s Rijksmuseum acquired a new art chapel, an almost pitch-black, 30-square-meter room housing Damien Hirst’s spotlighted skull, For the Love of God (2007). I entered the space after taking part in what was almost a procession.
Marcie Miller Gross
Kansas City, Missouri How do we measure labor and its value?…see the full review in March’s magazine.
Dmitry Gutov
Moscow Dmitry Gutov, a leading Russian artist and…see the full review in March’s magazine.
Tracy Hicks
Dallas In “Global Warning: still/LIFE,’ Tracy Hicks brought…see the full review in March’s magazine.
Nancy Azara
New York Maxi’s Wall was displayed in a separate room…see the full review in March’s magazine.
Josh Garber: Intuitive Strategies
The relationship between artists and their work is always peculiar: it inhabits a territory formed of equal parts magic act, charades, and the ventriloquism of influence. Josh Garber’s sources and end points are firmly located within this three-part territory.
Xiao Min and Gao Shan
Shanghai At a time when many young Chinese artists are…see the full review in March’s magazine.
Claudia Gherstenfeld
Buenos Aires Claudia Gherstenfeld is a young Argentine artist who…see the full review in March’s magazine.
