In Darrell Petit’s environmental sculptures, stone achieves a dialogue between order and chaos, a balance between mass and space. By preserving the ties between sculptural forms and their source in the earth, Petit acknowledges our place within the context of nature.
Lin Tianmiao
Beijing Lin Tianmiao, one of China’s most interesting…see the full review in May’s magazine.
“A (new) Genre Landscape”
Atlanta For at least a decade, Atlanta has been…see the full review in May’s magazine.
On the Track of BMW’s Art Cars: A Conversation with Thomas Girst
Marriages of brand-name artistic talent and luxury consumer goods don’t get much better than the partnership showcased on a recent summer day in southern Germany. At the Formula 1 Grand Prix racetrack, racing enthusiast Frank Stella was co-driving a 1975 BMW M1 ProCar hand-painted by Andy Warhol.
“Truthiness”
Riverside, California “Truthiness” featured work by an emerging generation…see the full review in May’s magazine.
“Bay Area Now 5”
San Francisco The fifth installment of Bay Area Now, a…see the full review in May’s magazine.
Rebecca Belmore
Vancouver White the flood of press generated by…see the full review in May’s magazine.
Can Sculpture Save New Orleans? Three Audacious Plans Make an Attempt at Recovery
In the weeks following Hurricane Katrina, it was hard to imagine that the Crescent City art world would ever re-emerge as remembered. But the New Orleans art community has proved to be unexpectedly tenacious. Less than two months after Katrina, the Ogden Museum of Southern Art resurrected its series of Thursday night roots music concerts,
Ice in the Whirlwind: Chris Drury’s Desert Journey from Antarctica to Nevada
In early 2006, the British Antarctic Survey publicized its Artists and Writers residency. Chris Drury, who had been looking for a way to visit one of the Earth’s most remote and extreme places, applied and was selected as one of two artists sent south that year.
Natalia Kempowsky
Cordoba, Argentina The importance of the installation Size matters? lies…see the full review in May’s magazine.
