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Review

Preston Singletary

July 1, 2010 by Matthew Kangas

Tacoma Preston Singletary’s retrospective at the Museum of Glass raised…see the full review in July/August’s magazine.

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Review

Cecil Balmond

July 1, 2010 by Elaine A. King

Pittsburgh ln 2000, visionary British structural engineer Cecil Balmond founded…see the full review in July/August’s magazine.

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Review

Rebecca Warren

July 1, 2010 by Michaël Amy

New York Like Gerhard Richter, Rebecca Warren slips effortlessly between modes…see the full review in July/August’s magazine.

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Review

Leslie Fry

July 1, 2010 by Anne Barclay Morgan

Sarasota, Florida Leslie Fry’s recent exhibition focused on new wall sculptures and…see the full review in July/August’s magazine.

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Review

“Rising Tide”

July 1, 2010 by Donna Schumacher

Palo Alto and San Francisco Green is the new black, which says a lot…see the full review in July/August’s magazine.

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Review

Cy Twombly

July 1, 2010 by Jonathan Goodman

New York Never a devoted fan of Cy Twombly’s paintings…see the full review in July/August’s magazine.

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Feature

How to Have Courage: A Conversation with Michelle Lopez

July 1, 2010 by Andrew Cornell Robinson

“The Violent Bear It Away,” Michelle Lopez’s 2009 exhibition at Simon Preston Gallery in New York, featured three new sculptures, each masking a subtext of terrorist warfare and exploring an abject form of violence and entropy.

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Feature

Doubts and Hopes: A Conversation with Kent Karlsson

July 1, 2010 by Robert Such

Dreams, memories, politics, history, and religion inform the work of Kent Karlsson. The Swedish artist incorporates everyday objects and iconic images into sculptures created through an exploration and refinement of his own poetic visual language. Karlsson works out of his hometown studio in Gothenburg, on the west coast of Sweden.

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Feature

Uniting Form, Content, and Context: Mona Hatoum at the Rennie Collection

July 1, 2010 by Rachel Rosenfield Lafo

The context of an artwork is critical to its experience. In the case of Mona Hatoum’s recent exhibition at the Rennie Collection, the context was two-fold. First, the works, representing 15 years of the artist’s oeuvre, were installed so that they resonated with the gallery spaces.

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Feature

Drew Daly: Visual Friction

July 1, 2010 by Suzanne Beal

For Drew Daly, life has been a series of repetitive gestures: first, at age 14, as a baker’s assistant lining up loaves of bread, later as a scholarship swimmer perfecting his stroke, then as a production potter producing cup after identical cup, bowl after bowl.

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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