Ping-Yu Pan

Taipei Taipei Fine Arts Museum “Eternal Nature,” a solo show of installations by Taiwanese artist Ping-Yu Pan, featured works from the last nine years, including examples from several different series. Shell imagery dominated with nine sculptures from Pan’s “Shell” series (2003-09).

Read More

Bernie Fink

Western Galilee, Israel The Open Museum: Omer Industrial Park For several decades, Bernie Fink was associated with a group of “Galilean” sculptors working in the north of Israel, all of them using basalt and materials found in nature to produce constructions suggestive of shrines, sundials, or archaic agricultural tools…see the full review in April’s magazine.

Read More

Gérard Quenum

London October Gallery At first it was the eyes. The hypnotic white orbs of Gérard Quenum’s charred, voodoo-tinged L’Ange (Angel, 2008) drew me into his recent exhibition—and into a multi-layered collection of powerful sculptural statements…see the full review in April’s magazine.

Read More

Annette Messager

London The Hayward The watchful eyes of My Trophies, proliferating London Underground posters, announced the opening of Annette Messager’s first U.K. retrospective. Documenting the evolution of her work over the last four decades, from the intimate pieces of the 1970s to recent large-scale…see the full review in April’s magazine.

Read More

Gareth Lichty

Cambridge, Ontario Cambridge Galleries Trained as a sculptor, Gareth Lichty weaves. Range, the single installation making up his recent exhibition, consists of one enormous weaving—shown in three separate sections—that weighs in at over 2,200 pounds.

Read More

“Light as Air”

Houston Discovery Green Discovery Green, located on 12 acres in downtown Houston, is Space City’s newest venue for outdoor public art. Its recent exhibition, “Light as Air,” was organized by Sara Kellner, a Houston-based independent curator, and featured…see the full review in April’s magazine.

Read More

Thaddeus Mosley

Pittsburgh Mattress Factory In a post-studio era in which concept overrides object, Thaddeus Mosley’s recent exhibition ran in the opposite direction. This show of work from the late 1990s to 2009 was vast and passionate, providing viewers with a celebration of astute materiality…see the full review in April’s magazine.

Read More