Ursula von Rydingsvard’s recent and upcoming exhibitions—commissions for the North Carolina Museum of Art and Storm King Art Center, large new work at New York’s Galerie LeLong, and a 35-year retrospective at the SculptureCenter in 2011—demonstrate that her new work writhes, twists, leaps, and otherwise moves in ways that wood has never moved before.
Whatever It Takes To Get It Made: A Conversation with Orly Genger
For “Material World,” a group exhibition at MASS MoCA exploring how artists can create extraordinary environments out of ordinary things, Orly Genger knotted, stacked, and painted 100 miles of lobster rope to form a monumental sculpture that bursts through the architecture and falls into riotous spills with all the intensity of a parted red sea.
Carlotta Brunetti
Taipei Carlotta Brunetti’s recent exhibition “Zone Indeterminate” consisted of two…see the full review in December’s magazine.
Shuzo Azuchi Gulliver
Otsu City, Japan Shuzo Azuchi Gulliver was born in Otsu City in 1947 and emerged…see the full review in December’s magazine.
Zadok Ben David
Tel Aviv Zadok Ben David, an Israeli artist living in London, is a…see the full review in December’s magazine.
Mowry Baden
Toronto A lot seems to depend on empty space…see the full review in December’s magazine.
Stephen Cartwright
Cincinnati Topologic Generator, a mesmerizing construction by Stephen Cartwright, defies description, but…see the full review in December’s magazine.
New Contemporary Sculpture Acquisitions
Raleigh, North Carolina ln conjunction with the opening of its new West Building…see the full review in December’s magazine.
George Segal
New York George Segal’s recent large-scale show at L&M Arts came on…see the full review in December’s magazine.
