Pittsburgh ln 2000, visionary British structural engineer Cecil Balmond founded…see the full review in July/August’s magazine.
Rebecca Warren
New York Like Gerhard Richter, Rebecca Warren slips effortlessly between modes…see the full review in July/August’s magazine.
Leslie Fry
Sarasota, Florida Leslie Fry’s recent exhibition focused on new wall sculptures and…see the full review in July/August’s magazine.
“Rising Tide”
Palo Alto and San Francisco Green is the new black, which says a lot…see the full review in July/August’s magazine.
Cy Twombly
New York Never a devoted fan of Cy Twombly’s paintings…see the full review in July/August’s magazine.
How to Have Courage: A Conversation with Michelle Lopez
“The Violent Bear It Away,” Michelle Lopez’s 2009 exhibition at Simon Preston Gallery in New York, featured three new sculptures, each masking a subtext of terrorist warfare and exploring an abject form of violence and entropy.
Doubts and Hopes: A Conversation with Kent Karlsson
Dreams, memories, politics, history, and religion inform the work of Kent Karlsson. The Swedish artist incorporates everyday objects and iconic images into sculptures created through an exploration and refinement of his own poetic visual language. Karlsson works out of his hometown studio in Gothenburg, on the west coast of Sweden.
Uniting Form, Content, and Context: Mona Hatoum at the Rennie Collection
The context of an artwork is critical to its experience. In the case of Mona Hatoum’s recent exhibition at the Rennie Collection, the context was two-fold. First, the works, representing 15 years of the artist’s oeuvre, were installed so that they resonated with the gallery spaces.
Drew Daly: Visual Friction
For Drew Daly, life has been a series of repetitive gestures: first, at age 14, as a baker’s assistant lining up loaves of bread, later as a scholarship swimmer perfecting his stroke, then as a production potter producing cup after identical cup, bowl after bowl.
Ted Victoria: Only the Object is Real
Last Halloween, new tenants—multi-limbed, vermin-like aliens with transparent bodies—moved into the 1783 Old Façade Building of the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The three-story administration building, its windows aglow with swarming creatures, provided the setting for Infestation, an installation by New York artist Ted Victoria.
