Allison Hunter’s Zoosphere

A transposition from still photography to full video installation, the latest installment in Allison Hunter’s staging of human/animal associations has as much to tell us about relations between discrete images and installation work as it does about relations between humans and other animals. 

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Mei-Ling Hom: Cultural Voyaging

Mei-Ling Hom’s work is distinguished by her affinity with cultures often under-represented in contemporary art. Though she is based in Philadelphia, her world travels have led to rich social interactions that have enhanced her work. She is an astute observer who pays attention to details often overlooked by others, as well as a versatile artist.

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Mia Feuer

Washington, DC, and Arlington, Virginia Transformer Gallery andArlington Arts Center Two recent installations in the Washington area, Suspended Landscape at the Transformer Gallery and Evacuation Route with Rubies at the Arlington Arts Center, showcased Mia Feuer’s bold, chaotic work.

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Elke Soloman

New York ALR. Gallery A Tavola is a command and a call to arms, summoning us to the table and the concomitant onslaught of memory—personal, emotional, social, communal, graphic, and visceral— prompted by food. As it calls us to the table, it also warns us of the abundance awaiting to seduce us to excess, Fittingly,

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Jeremy Dean

New York {CTS} creative thriftshop Jeremy Dean’s CEO Stagecoach (2010), which presents a satirical proposition about the future of the automobile and the planet, is part of “Back to the Futurama,” a project that focuses on the rise and fall of the automobile industry as a symbol of the vulnerability wrought by turbo-capitalism.

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