Among last season’s most haunting exhibitions, Robert Taplin’s “Everything Imagined Is Real (After Dante)” (2007–09) featured nine eerie “tableaux” enacted by small, life-like figures contained in massive wooden “shrines.” Like miniature dioramas with unstable perspectives, the equivocal “stages” were lit in various ways, their characters agile, oddly solid, simplified little ghosts, usually devoid of color
Doug and Mike Starn: Reveling in Chaos
Stately and symmetrical, the entrance to the Metropolitan Museum of Art opens into rigorously ordered spaces that guide viewers systematically along a rectilinear path. But now, and through the end of October, those visitors who make their way to the elevator that leads to the Iris and B.
New Directions in Performance and Sculpture
Dispatch Performance art has become ubiquitous in New York…see the full review in September’s magazine.
Qiu Zhijie
Beijing Two sculptures by Qiu Zhijie, featured in…see the full review in September’s magazine.
11th Istanbul Biennial
Istanbul Cultural events that contribute to a city’s evolution…see the full review in September’s magazine.
“A Procession of Sculptures”
Otterlo, the Netherlands Relationships ruLed in “A Procession of Sculptures…see the full review in September’s magazine.
Juan Batalla
Buenos Aires The Argentine artist Juan Batalla connects art with…see the full review in September’s magazine.
“Constructivism in Relief”
Houston Last year, Houston was ablaze with shows by…see the full review in September’s magazine.
Greely Myatt
Memphis Specks of dust and flecks of paint drifted…see the full review in September’s magazine.
“State of the Union”
Philadelphia “People often talk as if there was an opposition between…see the full review in September’s magazine.
