OSHAWA, CANADA Robert McLaughlin Gallery Words, numbers, and signatures—the hallmarks of the art world as it is measured—formed the conceptual basis of this show pairing works by two Nova Scotia College of Art and Design graduates. Like the two television screens that face each other in The Kiss (Light Box) (2009), Micah Lexier and Kelly Mark are conceptual artists who complement each other brilliantly.
Julianne Swartz
LINCOLN, MASSACHUSETTS deCordova Sculpture Park and Museum Is it possible for an exhibition that includes blocks of cast cement to be too subtle? In her retrospective “How Deep Is Your,” Julianne Swartz worked primarily with gossamer, mirrors, sound, clockworks, and magnets, in addition to cement. It was not an installation for the hurried visitor, nor for the hard of hearing or for those with difficulty seeing.
Inspired by the Faroe Islands: Tróndur Patursson
The birds were soon to migrate across the Atlantic, from the village of Kirkjubø on Streymoy Island to North America—their destination, the Kennedy Center in Washington, DC. Created by Faroese sculptor Tróndur Patursson, these birds are made of glass.
2012 Whitney Biennial
NEW YORK Whitney Museum of American Art The 2012 Whitney Biennial was a modest affair. Whether by choice or necessity, this economy of means resulted in a refreshingly accessible exhibition with a personal, DIY aesthetic, one that acknowledged the downsized ambitions and reduced funding of the Great Recession while remaining intent on taking the pulse of the contemporary art world.
Cathy Wilkes
PITTSBURGH Carnegie Museum of Art Cathy Wilkes, who studied at the Glasgow School of Art in the mid-’80s and then helped to fuel the city’s art scene in the 1990s, has become known for enigmatic, sometimes poignant installations fabricated from sculpted and appropriated found objects. In 2008, the Belfast-born artist was nominated for the Turner Prize, and in the summer of 2011, she had her first solo museum exhibition in the U.S. at the Aspen Art Museum.
David Hare
SAN FRANCISCO Weinstein Gallery The Weinstein Gallery is to be commended for bringing attention to American artists who were close to the Surrealist movement, including Enrique Donati, Gordon Onslow Ford, Jimmy Ernst, and David Hare. In today’s media-drenched culture, our recall of artists is as short-lived as our attention to political events, and Hare has been out of view for too long.
“Roundabout: Face to Face”
TEL AVIV Tel Aviv Museum of Art With artists from Asia, Australia, New Zealand, Britain, and Israel, “Roundabout: Face to Face” could have been an unfocused presentation. But that was not the case. Portraits and figural scenes created a sense of unity, drawing together this exhibition of 60 works (with sculpture predominating) from the 200-piece contemporary art collection of David Teplitzky.
Futility and Enchantment: A Conversation with Sudarshan Shetty
“The setting of the installation plays out the falseness and futility in the objects, the artificial. Our engagement with the world of objects is very connected to our own mortality. In our making and gathering of objects, there is a sense of futility.
Eve Ingalls
NEW YORKSOHO20 Chelsea Eve Ingalls works out of a former chicken coop in the Sourland Mountains of New Jersey, with a vista that could be mistaken for Vermont, but thoughts of oil spills, hurricanes, tsunamis, and other forms of environmental destruction are never far from her mind. Human manipulation may be destroying the earth, but she finds beauty in bringing it to the forefront of our attention.
Jitish Kallat
NEW DELHI Nature Morte Gallery Jitish Kallat draws on the energy of Mumbai to narrate the city’s story while creating a thought-provoking oasis where one can ponder various aspects of urban life. The title of his recent show, “Chlorophyll Park,” pays homage to the green pigment found in plants.
