Nicola L.

New York Elga Wimmer Gallery Nicola L., a French-born, New York-based sculptor of considerable talent, who has won recognition over a period of decades, recently restaged “Atmosphere in White,” a comprehensive show of her work originally presented at the Liverpool Biennial in 2014.

Read More

Barbara Cooper

Chicago Perimeter Gallery In an age when creating the next new thing is pervasive, Barbara Cooper, a Chicago-based sculptor, offers a refreshing take on art, with nature as her starting point. Rather than compete with nature, she evoked its depths by using repurposed materials in her recent exhibition, “Repur­posing: Small Sculpture.”

Read More

Conrad Bakker

Salt Lake City Utah Museum of Fine Art Artists visiting the state of Utah typically make a pilgrimage to Robert Smithson’s Spiral Jetty (1970), but they rarely meet the artist head-on, on his own terms. Such was the case, though, with Conrad Bakker’s Robert Smithson Library and Book Club, installed as part of the Utah

Read More

Sofie Muller: Mental Sculptures

“Those diseases which medicines do not cure, iron cures; those which iron cannot cure, fire cures; and those which fire cannot cure, are to be reckoned wholly incurable.” Sofie Muller is fond of quoting this statement by Hippoc­rates, the famous Greek physician and founder of the science of medicine, fascinated by the fact that even

Read More

Visualizing Data: A Conversation with Mary Bates Neubauer

Artist, educator, and innovator, Mary Bates Neubauer, the recipient of the International Sculpture Center’s 2015 Outstanding Educator Award, bridges ancient and cutting-edge technologies. Trained and first hired as a foundry sculptor, she’s broadened her practice at Arizona State University’s sculpture program in the Herberger Institute for Design and the Arts, where she is a professor

Read More

Mariana Castillo Deball

Berlin Hamburger Bahnhof Parergon, an ambitious, operatic installation from Mexican artist Mariana Castillo Deball, explored the biographies of objects in various Ber­lin museums, particularly the Nationalgalerie. As the title, which means “supplementary work” or “by­­product,” suggests, the work examined and decrypted the history of these collections, their buildings, exhibits, and protagonists.

Read More