Gloria Garfinkel

Springfield, Massachusetts George Walter Vincent Smith Art Museum Gloria Garfinkel’s recent exhibition featured a strong selection of sculptures, paintings, and works on paper, particularly the “Hanabi” series, based on origami forms, and the “Flip” series, made of aluminum.

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George Sherwood

Boothbay, Maine Coastal Maine Botanical Gardens With roots in Russian Construc­tivism—Naum Gabo, Anton Pevsner, and László Moholy-Nagy—kinetic art has developed its own idiosyncratic brand over the years. Among its best-known practitioners is George Rickey, who spurred an entire movement in the U.S.

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Dorothy Dehner

Chicago Valerie Carberry Gallery Dorothy Dehner (1901–94) once said, “The minute I started doing sculpture, I felt it was something I had done all my life.” She waited 54 years to make her first sculpture and then worked in bronze, wood, and fabricated metal for almost 40 years.

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“Re:Purposed”

Sarasota, Florida The Ringling Museum After passing through the Ringling’s beautifully decorated Baroque galleries, viewers encountered “Re:Purposed,” a show of 21st-century art with a Baroque exuberance. Curator Matthew McLendon brought together disparate works that incorporate both ordinary and exotic detritus.

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Christina West

Miami Mindy Solomon Gallery Christina West’s recent exhibition “Intimate Strangers” highlighted the importance of seeing three-dimensional work in person. Photographs of her human figures, such as Stranger #3 and Stranger #4, give the impression that their rendering of flesh is cold and austere and that they loom large in the gallery space, but visiting this

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Lois Weinberger

Mainz, Germany Kunsthalle Mainz Drawings, notes, texts, objects, models, sculptures, installations, photos of performances, and interventions—Lois Weinberger’s recent exhibition employed a multitude of media, each one on a par with the others. Even within individual genres, Wein­berger’s works are extremely heterogeneous in terms of style, theme, and choice of material.

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