Vibha Galhotra

NEW YORK Jack Shainman Gallery “A river runs through it” could be the subtitle for Vibha Galhotra’s recent exhibition inspired by the Yamuna River, a legendary tributary of the sacred Ganges, which is also one of the world’s most polluted waterways. Tapestry-like constructions, sculptures, an installation, and a film all continue Galhotra’s examination of the effects of globalization and development by focusing on the critical role of water in daily life, not just in the artist’s native India and hometown of Delhi, but for all of us.

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Melvin Edwards: Liberation and Remembrance

Melvin Edwards has been welding sculpture for more than five decades and bearing witness to the continuing history of race relations in the United States. His recent works include incisive new examples of his iconic “Lynch Fragments” series and monumental public projects installed in various locations, including Japan, Senegal, Cuba, and the U.S.

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Amber Cobb

DENVER, CO Gildar Gallery Amber Cobb’s exhibition, “Solace,” immersed viewers in a sculptural dialogue of fleshy tones and dichotomously seductive and repulsive forms. Building on a practice rooted in psychological and physical attachments, Cobb probed the space between the decorative and the grotesque, filling both rooms of the gallery with 12 wall-bound sculptures, a series of small figurines, and a large, centrally located sculpture in the round. Cobb gathers and treats a range of domestic objects—blankets, bedding, bath mats, figurines, and bedroom furniture—with silicone, resin, paint, and acrylic media.

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Patrick Strzelec

NEW YORK Garth Greenan GalleryPatrick Strzelec’s recent exhibition featured a mature body of work evoking a variety of profound emotions—joy, sadness, fear, recognition, and foreboding. Composed of diverse materials, including plaster, alum­inum, epoxy, steel, bronze, ceramic, wood, and detritus, the sculptures collapse recognizable and illogical forms. Strzelec uses postmodern strategies—appropriation, assemblage, and simulacra—but unlike many of his contemporaries, he crafts his work with his own hands. For over two decades, he has worked in numerous studios and foundries and taught sculpture at prestigious universities.

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