Norbert Prangenberg

COLOGNE, GERMANY Galerie Karsten Greve Nearly every top-heavy Figur sculpted by Norbert Prangenberg (1949– 2012) is reminiscent of an ancient amphora or pithos, although without the lid or twin handles. The rest of his symmetrical Figuren approximate modern barrels. We eventually realize that neither of his container types can hold liquid or grain, because they remain fundamentally un-reconstituted ropes of clay. The concentric coils were crudely kneaded into lengths up to 2.5 inches thick before being barely smoothed and vertically stacked.

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Andy Moerlein and Donna Dodson

BOSTON Boston Sculptors Gallery Donna Dodson and Andy Moerlein recently transformed Boston Sculptors Gallery into a new kind of Wonderland with their related shows, “Zodiac” and “Geology.” Dodson’s anthropomorphic deities, arranged in two circles, reference both Chinese and Western zodiac symbols. The archetypal figures emanate an extraordinary calm. Each takes a similar stolid stance yet clearly expresses her individuality.

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J. Ma, C. Smith, C. Walker

MUNCIE, INDIANA David Owsley Museum of Art The three artists featured in this show come from different places – Jongil Ma from Korea (now living in New York), Christopher Smith from the U.S., and Corban Walker from Ireland – but they all share an interest in glass and Plexiglas. Curator Lisa Banner, a professor at Pratt Institute in Brooklyn, exploited this commonality in two ways: first, as a means to remember the university’s ties to the Ball family glassmanufacturing business and, second, as a tool to explore subtle changes in material, as well as shifts in vision and viewpoint.

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Revisiting Lin Tianmiao

Experimental artist Lin Tianmiao has been dramatically expanding her work in recent years, moving from her signature textiles, ribbons, and threads into found objects and sound. A recent visit to Lin’s studio and home near Beijing offered an opportunity to see current works, as she prepared for upcoming exhibitions.

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Art Prospect

ST. PETERSBURG, RUSSIA Art Prospect Last year, Art Prospect, St. Petersburg’s first and only public art festival, marked its fifth year. Since its inception, its artistic vision has been shaped by Susan Katz, an American who has lived in St. Petersburg since 1998, and Kendal Henry, a New Yorker involved with public art. In 2016, the festival focused on social practice and community engagement, with projects by 33 different artists and artist teams, 22 from Russia and the remainder hailing from the U.S., Switzerland, Norway, Finland, and Poland.

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