Los Angeles
Liz Larner’s work has followed a varied and contradictory trajectory, and her most recent exhibition underscored the diversity of her nonlinear ideas and idiosyncratic approaches. A number of conceptually related but visually disjunctive objects were displayed: a dozen mid-size ceramic and epoxy pieces, two large paper and aluminum structures, a mini-exposition of work from the late ’80s, and an unrelated, beetle-like, stainless steel “X.” The majority of these works are wall-mounted, thick, and deeply fissured ceramic slabs…see the entire review in the print version of July/August’s Sculpture magazine.
