Sidney’s Biennale would have done well to drop the title “Everyday,” which in the face of the new Minimalist and conceptual works selected by curator Jonathan Watkins… for the full review see the print edition of March 1999’s Sculpture magazine.
Sidney’s Biennale would have done well to drop the title “Everyday,” which in the face of the new Minimalist and conceptual works selected by curator Jonathan Watkins… for the full review see the print edition of March 1999’s Sculpture magazine.