Peter Buggenhout

New York Gladstone Gallery Peter Buggenhout’s recent show, “Caterpillar Logic II,” acknowledged the process that transforms a homely creature into a delicate, beautiful butterfly. An equally striking, if not conventionally beautiful transition occurs in these works—two very large sculptures that, in their complexity, weight, and size, border on installation.

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Florida Sarasota Season of Sculpture 2014

Sarasota Season VII Every two years, the Sarasota Season of Sculpture, headed by Susan McLeod, installs sculptures on Bay­front Drive between the attractive waterfront walkway and the busy Tamiami Trail. This year, curators Fayanne Hayes and Andrew Maass selected 18 sculptures by eight artists; one sculptor had as many as six pieces included, others were

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“Other Primary Structures”

New York The Jewish Museum In 1966, Kynaston McShine presented “Primary Structures: Younger Ameri­can and British Sculptors” at the Jewish Museum. The show introduced barely known artists, including Donald Judd, Carl Andre, and Sol LeWitt, who worked in a pared-down visual language soon dubbed Mini­m­­al­ism.

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Eli Bornstein

Saskatoon and Winnipeg, Canada Mendel Art Gallery and the School of Art Gallery, University of Manitoba Perception lies at the heart of Eli Bornstein’s 60-year career, spent in unwavering fidelity to the trinity of color, light, and structure.

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Sam Keogh

Dublin Kerlin Gallery The Kerlin Gallery in central Dublin is a long, narrow, and tricky space that requires careful or clever handling. Sam Keogh, a young Irish artist exhibiting his first solo show there, worked that space extremely well.

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Susan Philipsz

Dusseldorf Kunstsammlung Nordrhein-Westfalen, K21 Standhaus Fraught chords and choked notes from unseen instruments fill three galleries. In two of the spaces, recorded string sounds emerge from black electronic speakers mounted in a serpentine line across a long white wall, while a floor-level speaker offers unexpected horn noises.

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David R. Harper

Toronto Doris McCarthy Gallery Beastliness characterizes the sculptures in David Harper’s recent exhibition “Entre le chien et le loup,” running the gamut from the animal as disguise to the animal as keepsake or memento—all of which has to do with an aesthetic inquiry into our devaluation and trivialization of the natural world.

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Haegue Yang

Seattle Henry Art Gallery, University of Washington South Korean-born and Berlin-based multimedia artist Haegue Yang has proved her mettle. With a clever imagination, she has shown that she can assemble unique and, at times, puzzling works characterized by a cool ambition.

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Jeff Gibbons

Dallas Centraltrak: The University of Texas at Dallas Artists Residency Texas inter-media artist Jeff Gibbons is interested in the feedback loop of living creatures, especially when that circle wobbles between equilibrium and disequilibrium. The title of his small exhibition at Centraltrak: The University of Texas at Dallas Artists Residency—“Let the Drip from the Ceiling Become

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