Jonathan Michael Ray

BRUTON, SOMERSET, U.K. Bo Lee and Workman Ray’s practice involves a complex process of reinterpretation and amalgamation. In his works, found objects acquire new meanings that unify the secular and sacred, making them a particularly appropriate choice for this setting.

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Soojin Kang

LONDON Gathering There is something otherworldly about Kang’s humanoid sculptures. Sentinels of time and space, they double as bearers of the unconscious, channeling the unexamined, the unseen, the unresolved and sparking a momentary meeting of minds that establishes a dialectic between Kang’s experience of making and our experience of looking.

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Chryssa

NEW YORK Dia Chelsea Struck by New York’s seductively pulsing lights and flashing advertisements for everything from Admiral TVs to Pepsi, Chryssa seized on the potential of neon as a medium for art. The natural light of her native Greece was also etched in her memory, however, particularly the way that it bathed and warmed ancient sculpture and architecture.

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Leandro Erlich

MIAMI Pérez Art Museum “Liminal” isn’t quite a fun house, it’s more reminiscent of a film set, with dreamy façades and psychologically charged environments, just off-kilter enough to make you take notice and challenge assumptions.

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Richard Ibghy and Marilou Lemmens

CHARLOTTETOWN, PRINCE EDWARD ISLAND Confederation Centre of the Arts I am writing this in a part of Nova Scotia where the farms that surround me grow grass. Each spring, verdant green fields are rolled up and taken away to become lawns in housing developments.

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Sonia Boyce

MARGATE, U.K. Turner Contemporary Boyce’s videos of this session reveal how the participants grew in trust and how their improvised collaborations became increasingly confident and playful, questioning authority and authorship.

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