Jeanne Silverthorne

NEW YORK Marc Straus This small, intimate show, featuring 11 cast, monochromatic rubber objects ranging in height from 10 to 75 inches, is conceptually divided between works that are simultaneously realistic and abstract and those that are completely figurative and, in a wizardly way, uncannily lifelike.

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Francesca DiMattio

LONDON Pippy Houldsworth Gallery Aside from the obvious Greek reference, the caryatids, despite their detail and ornament, also gesture, in some respects, to Eduardo Paolozzi’s collaged sculptures, especially from the 1950s, and Huma Bhabha’s much darker creations.

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Jyoti Duwadi

BELLINGHAM, WASHINGTON Western Gallery, Western Washington University Born in Nepal to a family of reformist intellectuals, politicians, and poets, Jyoti Duwadi turned to art full-time after receiving his doctorate in political science from Claremont Graduate University in California in 1979.

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Isa Genzken

BERLIN Neue Nationalgalerie Much like the late John Ashbery, whose poems late in his career became increasingly bold in their experimentation (the polar opposite of the stereotype so many harbor of the elderly, who are supposed to become more conservative and closed off to the world year by year), Genzken only grows wilder and more fearless as she ages.

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Martha Russo

COLORADO SPRINGS, COLORADO Marie Walsh Sharpe Gallery, Ent Center for the Arts No longer tied to a practical function of erosion control and landscape stabilization, Russo’s wattles become dynamic, occasionally leaving the ground as they flow through a hallway, spill over from a tall ledge, and nudge their way into the gallery itself.

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Robert Benson

ARCATA, CALIFORNIA Goudi’ni Native American Arts Gallery Benson’s approach to found timbers that have been preshaped by natural forces is consonant with the way that trails get inscribed, step by step, into the land. Address to materials is guided by a perception of latent form.

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