Yoshitomo Nara and Takashi Murakami began to get international recognition at almost the same time, both admired for their childhood/pop culture imagery. Nara had a bit of a head start, particularly in Europe, since he was living in Germany from 1988 to 2000.
Nothing is More or Less Alive: A Conversation with Eduardo Kac
Since the early 1980s, Eduardo Kac (pronounced “Katz”) has created challenging combinations of the biological, the technological, and the linguistic, raising important questions about the cultural impact and ethical implications of biotechnologies. An innovator and pioneer of forms, he began experimenting in the pre-Web ’80s with works that used telerobotics—systems of remote communication linking software,
Strange Encounters in Space and Time: A Conversation with Lee Ufan
Lee Ufan is acclaimed for an innovative body of work that emphasizes process, materials, and the experiential engagement of viewer and site. Born in Seoul, Korea, he has lived in Japan since 1956 and now divides his time between Kamakura and Paris.
The Theater of Flow: A Conversation with Lorna Jordan
Movement is of fundamental importance in Lorna Jordan’s work. Her environmental artworks range from green infrastructures that enhance watersheds and reveal the cycles and mysteries of water to site-specific sculptural pavilions and gathering places that embody progressions of form, to media works that incorporate light and projections.
Simple Things and Natural Actions: A Conversation with Giuseppe Penone
Giuseppe Penone addresses the contact between man and nature. His conceptual and poetic work starts from tactile experience and attempts to understand and reflect on reality; it aims to use and reveal already existing forms and natural materials, such as wood and stone, in new ways.
Caoimhghin Ó Fraithile: Ritualizing Place
The Irish artist Caoimhghin Ó Fraithile (Quee-veen O Fra-ha-la) makes sculptures and drawings all over the globe—in Asia, Europe, and America. A reticent, monk-like personality, he maintains his peripatetic lifestyle by taking on residencies in different parts of the world.
Allison Hunter’s Zoosphere
A transposition from still photography to full video installation, the latest installment in Allison Hunter’s staging of human/animal associations has as much to tell us about relations between discrete images and installation work as it does about relations between humans and other animals.
Mei-Ling Hom: Cultural Voyaging
Mei-Ling Hom’s work is distinguished by her affinity with cultures often under-represented in contemporary art. Though she is based in Philadelphia, her world travels have led to rich social interactions that have enhanced her work. She is an astute observer who pays attention to details often overlooked by others, as well as a versatile artist.
Presidio Habitats: Living with Nature
A multi-part, site-specific sculpture installation in a national park? As improbable as this sounds, such an exhibition has been on view in the Presidio of San Francisco since May 16, 2010 and continues through May 2011.
Forum: So You Want To Go To Art School
Deciding to go to art school seems like an answer, but it is only the start of a series of questions. Do art schools care (and, if so, how much) about my grade point average? Should I go to an independent art school or to a liberal arts college or university that offers a studio
