Born in County Sligo, Eileen MacDonagh studied art at the Institute of Technology, Sligo and Limerick School of Art. In 1982, she attended an International Sculpture Conference in San Francisco, where she was first introduced to the idea of sculpture symposia.
Political by Nature: A Conversation with Nnenna Okore
Sometimes an artist’s use of materials is in itself political, as in the case of Nnenna Okore. Born in Australia and raised in Nsukka, a town in southeastern Nigeria, she explores a range of artistic materials and influences, creating installations and sculptures made of clay and found as well as handmade paper.
Sculpting the Void: A Conversation Lucía Vallejo
Lucía Vallejo began her career as an art historian. The subject of her research, Giorgione, foreshadowed the path of her later artistic trajectory, which follows a deep interest in symbolism and late Renais?sance and Baroque color.
Edge is Important: A Conversation with Anthony Caro
Earlier this year, I sat down with my longtime friend Sir Anthony Caro in his London studio. The idea was simple: Would it be interesting to generate a conversation between two sculptors whose work is very different, but who share many common influences?
Drawing Mindmaps: A Conversation with Ante Timmermans
Ante Timmermans, a Belgian artist based in Zurich, is best known for his contemporary approach to drawing in which the two-dimensional transforms into a three-dimensional universe. The spare, simple techniques that define his drawings also characterize his sculptures and installations, which frequently employ obsolete technologies.
Art at the Table: Lucy & Jorge Orta
Lucy + Jorge Orta’s work is situated at the intersection of performance art and object-making, where symbol conflates with tool and relational aesthetics merges with physical forms. Their earliest concerns continue into the present, with additional issues layered over initial areas of investigation, resulting in a rich harmonic practice that addresses the conditions that define
Serendipity and Faith: A Conversation with Nari Ward
Nari Ward’s monumental works merge mystery and meaning. His 2012 exhibition at Lehmann Maupin’s Chrystie Street gallery consisted of beautiful objects with double and triple meanings. Why would shoelaces embedded in a gallery wall spell out “We the People?”
Life Might Prevail: Doris Salcedo’s Plegaria Muda
Doris Salcedo’s Plegaria Muda is a passionate cry of denunciation against injustice, crime, and abuse and a mute prayer for a better world. A space to commemorate victims of murders perpetrated all over the world, it honors people whose only fault is to have no rights, or graves to mark their existence.
The Life Through Time and Space: A Conversation with Tatsuo Miyajima
Since the 1980s, Tatsuo Miyajima, who lives and works in Ibaraki, Japan, has been making works that address time. Numbers made of LEDs count from one to nine or from nine to one; zero is not shown.
Myths of Fantastical Life: A Conversation with Meeson Pae Yang
Meeson Pae Yang understands the power of repetition. While one tree seen in isolation can be an object of breathtaking beauty, a cluster offers a very different visual and emotional experience, built up of the variations that occur across species, the contracting and expanding spaces between forms, and the fragmentation of light and ensuing tonal
