In situ, Cristina Rodrigues’s works read like fanciful relics. Lavishing baroque details over ordinary objects, she masterfully mixes virtuosity with the commonplace. Adventures into the sublime, her installations are as universal in their significance as they are local in their inspiration, purposefully touching the lives of everyone involved.
Illuminating Illusions: A Conversation with Iván Navarro
Iván Navarro’s activities this past year—participation in a summer 2014 show at the Guggenheim Museum, a new Skira Rizzoli book Iván Navarro, his “This Land is Your Land” exhibition in Madison Square Park, shows at Hotel Particulier in Manhattan and Galerie Hyundai in Seoul, and his electronic, minimal music CD Oido (Huseo Records)—suggest diversity, fluency,
Ruud Kuijer: Collage and Casting
At first sight, Ruud Kuijer’s “Waterworks,” seven monumental cast concrete constructions installed along the Amsterdam-Rhine canal, are a surprise. The enormous, pale “towers” seem unlikely in this nondescript, industrial area near the entrance to Utrecht harbor.
Flirting With Nature: A Conversation with Manuel Ameztoy
Argentine artist Manuel Ameztoy takes possession of architectural interiors, from museums to hotels, and even natural environments, establishing a subtle presence through delicate cutouts, abstract patterns, and vivacious colors. Though these works gently disappear, like everything ephemeral, they might reappear in other locations.
Spirit and Matter: A Conversation with Mildred Howard
Over the course of four decades, Mildred Howard has created rich and evocative work, taking common objects of daily life and infusing them with a spark that illuminates the underlying significance and historical weight of cultural forms.
Entering A Somewhat Random Universe: A Conversation with Renee Butler
Anyone who’s entered a darkened room and experienced a camera obscura might feel some deja vu inside a Renee Butler installation. Her work illuminates a wall or a structure with elements akin to that ancient optical effect real-world color, incremental movement, photographic detail, and in some cases, ambient sound.
Amy Stacey Curtis: Planning the Last Biennial
The potluck supper after the opening of Amy Stacey Curtis’s 2014 exhibition in Parsonsfield, Maine, was held by candlelight, not to set a mood, but because the building didn’t have electricity. Curtis’s self-produced shows don’t happen in typical gallery settings.
The Will To Live: A Conversation with Siobhán Hapaska
Siobhán Hapaska’s Untitled (Intifada), an installation shown at Rotterdam’s Museum Boijmans Van Beuningen, does what any good artwork does: sculpt a mental space for consideration and reconsideration of a subject, encouraging discussion. Over the last 20 years, Hapaska has created a large body of thought-provoking forms and symbols with diverse materials.
Dark Matter, A Conversation with Katie Paterson
The work of Katie Paterson is ever expanding like the cosmos, opening up wonder and inquiry into the primordial density of our universe—a gravitational mass of the visible and the unseen, held together by dark matter.
The Oneness of an Endless Universe: A Conversation with Mariko Mori
Mariko Mori has the tact of a Swiss diplomat and the drive to pursue ambitious artistic goals. Her work, which promotes oneness and global consciousness, explores universal questions at the intersection of life, death, reality, and technology.
