Tim Shaw, who was born in Belfast, has lived in the south of England for the past 25 years, on a farm that serves as both his home and studio. In 2013, he was elected to the Royal Academy and to the Royal British Society of Sculptors.
Regina José Galindo: Acts of Endurance
Regina José Galindo’s performances are often shocking and degrading. Sometimes naked, she is tasered, hit, bloodied, anesthetized, urinated on, or left for dead. “Bearing Witness,” at North Carolina’s David son College last fall, was Galindo’s first solo show in the United States.
Linda Fleming: At the Edge of the Unknown
Linda Fleming is always thinking about light—how it moves through, over, and around her work. In conversation, she points out how the play of cast shadows echoes and enlivens the complex, latticed surfaces and curving forms of her sculptures, which range from paper and wood maquettes only a few inches across to powder-coated, lasercut steel
Gisela Colón: Light Effects
It’s a hot, California autumn day when I make the trek out to a Los Angeles valley to meet the second-generation Light and Space artist, Gisela Colón. Her studio, located in an industrial park, is a warehouse space, once home to a plastic manufacturer and a befitting locale for an artist whose preferred medium is
Andrew Lyght: Charting Spatial Wonders
Guyana (which means “land of many waters”) is a small tropical country of variegated rivers wedged between Venezuela, Suriname, and Brazil. Its capital, Georgetown, is perched on the nation’s broad northern coastline, facing a vast expanse of sea and sky.
Nothing is Static: A Conversation with Richard Van Buren
What are these exquisite, abstract forms? What are the materials? How were they made? What are their visual references and influences? These are some of the questions that came to mind when I first saw Richard Van Buren’s mysterious sculptures.
Submerged: A Conversation with Jason deCaires Taylor
Disillusioned with the rat race, sculptor Jason deCaires Taylor chose to dive into an altogether different pursuit. His poetic underwater installations comment on environmental issues, climate change, and rising sea levels while providing new habitat for sea life and foundations for underwater growth.
The International Sculpture Center 2016 Outstanding Student Achievement in Contemporary Sculpture Awards
The International Sculpture Center is proud to present the winners of the 2016 Outstanding Student Achievement in Contemporary Sculpture Awards. This year’s program attracted a large number of nominees from university sculpture programs in North America and abroad.
International Sculpture Day 2016
The second iteration of International Sculpture Day (IS Day) was celebrated on April 24, 2016 by an estimated 10,000 participants in more than 20 countries around the world. Since the initial event in 2015, these numbers have more than tripled, which confirms the enthusiasm for IS Day and the foresight of Johannah Hutchison, executive director
Seducing Consciousness: A Conversation with Paul Villinski
Robert Preece: Why is the idea of flight important to you? What sorts of memories does it evoke, and how do they relate to your work? Paul Villinski: I was an “Air Force brat.” I spent my first 14 years on or near USAF bases.