If science is determined by a body of facts, then art is closer to fiction, moving between states of certainty and uncertainty in order to create visual parables of our lives as they are now, and are likely to be in the future.
Real Consequences: A Conversation with Tania Bruguera
In October 2016, at the Creative Time Summit in Washington, DC, Tania Bruguera, whose projects merge social reality, culture, and politics, announced her candidacy for president of Cuba in the 2018 election. She encourages others to follow her example—to speak up and empower themselves—because the clock is ticking on free speech around the world, as
Boaz Vaadia: Finding Equillibrium
Serenity and a pervading stillness characterized Boaz Vaadia’s recent retrospective at Grounds For Sculpture. Admirably displayed both outdoors and in two major buildings, 125 works spanning over 40 years of the artist’s career fostered a psychological centering for the viewer.
The Void Is Never Empty: A Conversation with Gaspar Acebo
Gaspar Acebo, who trained in the fields of painting and drawing, combines these mediums with other techniques and disciplines, including photography. His work is perhaps best defined by its reflection on the interaction of plane and volume, the concept of emptiness serving as an engine that generates not neutral space, but a balance of forces
Michael Gitlin: Minimalist Lyricism
While the work of American Minimalist masters such as Sol LeWitt, Carl Andre, and Donald Judd has begun to seem slightly dated, it has not lost its impetus, and the early- and middle-period sculptures of these artists continue to challenge us.
Why Did Petah Coyne’s Work Make Me Cry?
Eleven years ago, I wept openly in the middle of Petah Coynes touring survey “Above and Beneath the Skin.” Within compulsory, regulated social systems the ones that determine what options are available for a subject’s action and identification uncontrolled crying is a breach of those mores, a breakdown and demonstration of the effects of life
Brian Dettmer: Paging Through Time
How can history, memory, and cultural knowledge become the materials of sculpture? In Brian Dettmer’s hands, books that have lost their original function do just that. Encyclopedias, dictionaries, and other reference volumes represent the physicality of gathered knowledge with their moving pages, solid bindings, and words and illustrations.
Taryn Simon: The Spectacle of Loss
In the fall of 2016, Taryn Simon presented a unique interactive work, An Occupation of Loss, at the Park Avenue Armory in collaboration with Artangel, London. (Loss, in the work’s title, represents the fugitive nature of things, a theme that runs through all of Simon’s work.)
Lynda Benglis: I Choose My Dreams
Lynda Benglis was awarded the Lifetime Achievement Award from the International Sculpture Center in 2017. For a full list of Lifetime Achievement Award recipients, click here. Over the course of her long career, Lynda Benglis has defied easy categorization.
Renee Stout: Formal Divination
The quiet nuances on the surface of Renee Stout’s work are just the tip of the iceberg, though the subterranean rumblings may be hard to decipher without a fundamental knowledge of Yoruba, Vodoun, and Hoodoo culture.
