Line Up—literally a line of these things—plays a bit with scale and the line that goes around a paper roll almost like a drawing.
Seward Johnson: Against Propriety
Recipient of the 2020 Lifetime Achievement in Contemporary Sculpture Award Seward Johnson, whose artistic and professional career as a sculptor spans more than 50 years, initially received wide critical acclaim in the 1960s for his first work, Stainless Girl.
Enrico David: Accomplice to the Unfinished
How do you lift a drawing off a page? This complex thought is at the heart of Enrico David’s work. His sculptures, installations, paintings, textiles, and collages are all rooted in a body of drawings. His practice is self-referential.
Prohibido Olvidar: Una Conversación con Florencia Battiti
Coordinadora de Artes Visuales y Programa de Arte Público del Parque de la Memoria, Argentina Las aguas aparentemente inofensivas del Río de la Plata, bordean la capital de Buenos Aires conteniendo en sus profundidades enigmas, historias, silencios obligados.
Artists Chosen for Frieze Sculpture New York
Fourteen international artists have been announced for the launch of Frieze Sculpture in New York, presented at Rockefeller Center.
Rachel Rotenberg: Muscular Movements
“Sanity,” a title shared by Rachel Rotenberg’s recent exhibitions at Goucher College in Towson, Maryland, and at Gershman Gallery in Philadelphia, not only suggests the role that making art plays for her, but also argues for the necessity of art in a world where countless forces, from technology to climate change to war, threaten to overwhelm us.
Natalie Moore: Metaphor in Action
Natalie Moore, a longtime resident of Brooklyn’s Williamsburg and Greenpoint (she has a studio in Greenpoint), originally hails from California. In the mid-1980s, she attended the University of California, Santa Cruz, which is known for its experimental interests, particularly in the arts and humanities.
Annabeth Rosen: Five Conversational Fragments
Something in the totality of Annabeth Rosen’s work does not lend itself to the question/answer format of the formal interview. Her conversational style, like her work, is rich and discursive, gaining in depth and resonance through additions and accumulations.
Judy Chicago
“I was always interested in fringe techniques. I did formed domes, I did big fiberglass sculptures, I went to autobody school—new form allows for new content. But nobody paid attention to my interest in fringe techniques as long as they were masculine. It was only when I crossed the gender gap into what was forgotten that it became notable.”
Giants Walking: A Conversation with Huma Bhabha
Huma Bhabha does not work with images culled from the Internet; she eschews appropriation and explanatory texts. Perhaps because of her devotion to old-fashioned creativity, Bhabha is rapidly becoming one of the most celebrated contemporary artists.
