Object Lessons: Melvin Edwards

Agricole, the suspended plow form, comes from the French for “agriculture.” Human beings didn’t start out in cities. Cities originated as places of exchange, and now they’ve gotten to the point where something that used to happen once a week or once a month—the trading of goods and services—becomes the dominator.

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Pae White: Material History

Pae White’s primary material might well be the history of applied arts. In a new show at the San José Museum of Art (on view through January 19, 2020), she draws on at least 2,000 years of artistic practice, from goldwork to carpet weaving, bookbinding, printmaking, and painting.

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Radicalized Representation: A Conversation with Renate Bertlmann

Since the 1970s, Renate Bertlmann has been creating striking works that explore sexuality, gender, and eroticism, as well as their social context. Her practice has stretched across two- and three-dimensional media, including performance. In sculpture, her diverse materials include latex, polyurethane foam, silicone rubber, epoxy resins, plaster, acrylic glass, glass, tulle, silk, velvet, organza, linen,

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Deeper Truths: A Conversation with Hank Willis Thomas

Hank Willis Thomas, who was recently awarded a Guggenheim Fellowship, has emerged as one of the most prolific artists of his generation. Formally trained as a photographer, over the last 15 years, he has considered the relationship we have to images and what they say about our priorities and privileges, focusing primarily on popular, found imagery from history, sport, and fashion.

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