Baseera Khan’s multimedia practice engages with intertwined social, political, and economic histories and their effects on the diasporic body, often through acts of deconstruction and collage.
Cause and Effect: A Conversation with Sarah Oppenheimer
Sarah Oppenheimer challenges the limits of sculpture and architecture in order to investigate how spaces shape behavior and how behavior can, in turn, impact inhabited space.
La Omnipresencia de los Cuerpos: Una Conversación con Ariadna Pastorini
Uruguaya de nacimiento, viviendo desde hace décadas en Buenos Aires, la artista multidisciplinaria Ariadna Pastorini trabaja abordando la pintura, la escultura, las artes visuales y especialmente los textiles trasladados al lenguaje de la instalación y la performance.
Shapes of Silence: A Conversation with Edmund de Waal
Gathered in large-scale installations and enclosed within minimal structures, Edmund de Waal’s porcelain vessels become vehicles for human narrative and emotion, objects of almost ritual significance haunted by memory.
Everything in Repetition: A Conversation with Noe Aoki
Japanese sculptor Noe Aoki has used iron as her primary material since the 1980s, attracted by its physical properties as well as its symbolic associations and role in human history. Composed of rings and lines, her work develops from a repeated process of cutting and welding industrial iron sheets.
Activating the Void: A Conversation with Naama Tsabar
Naama Tsabar stands still, though not passive, in her signature black jeans, black shirt, and red lipstick, a participant in and creator of Perimeters, her latest performance project.
The Artist as Caretaker: A Conversation with Leone Contini
In Leone Contini’s performative sculptures and installations, the artist also acts as farmer and caregiver, tending living works that require skill and attention to survive.
The Heart of Matter: A Conversation with Maud Cotter
Maud Cotter, one of Ireland’s most inventive artists, has almost four decades of work behind her, and she continues to change while still remaining, essentially, herself.
Michael Murrell: A Life Lived in Art
Murrell’s sculptures—in bone, wood, iron, resin, and stone, handled with consummate skill and a deep respect for the material—hang from the ceiling, float above the honeyed maple floor, and repose on the floor, arranged in relationships that may seem random at first glance, though they are anything but.
The Measure of Modernism: A Conversation with Leonor Antunes
Inspired by Modernist outliers (from Carlo Scarpa, Anni Albers, and Lenore Tawney to Lina Bo Bardi and Egle Trincanato), Antunes follows extensive research into their work with acts of extraction and artistic translation.
