The lnternational Sculpture center is proud to present the winners of the 2002 outstanding Student Achievement in contemporary Sculpture Award’ This year’s award program attracted a record number of 213 nominees from 89 college and university sculpture programs in North America and abroad.
Sculpture, Education, and Community: College Art Galleries
These galleries can integrate art into the lives of students as well as the public…see the full review in October’s magazine.
Inscription and Testimony: Public Art and Shared Experiences
Public art can articulate what has been forgotten, obscured, or overlooked…see the full review in October’s magazine.
Collecting Experience: A Conversation with Steven Oliver
Bruce Nauman, Untitled, 1998–99. Cast concrete, 30 in. wide; .5 miles long Photo: Wardell Photography. Entering the Oliver Ranch on a narrow climbing road, one suddenly encounters hundreds of white concrete steps cascading down the hill, crossing the road, and continuing below.
Declaring, Defining, Dividing Space: A Conversation with Richard Serra
Union of the Torus and the Sphere, 2001. Weatherproof steel, 142 x 447 x 125 in.Photo: Courtesy of Gagosian Gallery. “Richard Serra: Torqued Spirals, Toruses and Spheres,” the artist’s most extensive exhibition of major sculpture in New York since his 1986 retrospective at the Museum of Modern Art, took place last fall at the Gagosian
Public Space and Private Investigation: A Conversation with Bradley McCallum and Jacqueline Tarry
Their work focuses on difficult issues of political and social injustice…see the full review in September’s magazine.
A South African Microcosm: The Sculpture of David Brown
Brown’s work mines the schisms of the fractured society of today’s South Africa….see the full review in September’s magazine.
Abstraction and Empathy, Once Again
In sculpture the problematic of art as such is most explicit…see the full review in September’s magazine.
Revolution is Sneakier: Conversation with Vito Acconci
The recent touring exhibition “Acts of Architecture,” curated by Dean Sobel and Margaret Andera, focused on Vito Acconci’s work since the 1980s, in particular the public art projects of Acconci Studio. It also included his sculptures, which function as furniture or architecture.
One Who Sees Space: A Conversation with Maya Lin
Maya Lin’s sculptures, environments, and architectural projects flow out of a vision of a universe in harmony with itself, its different branches and modes of being. Her gift is creating work that rethinks human relationships to earth and time.
