Artist, architect, and filmmaker Alfredo Jaar lives and works in New York. His installations and individual artworks have been shown around the world. He has participated in the Venice, São Paulo, Johannesburg, Sydney, lstanbul, and Kwangju Biennials, as well as Documenta….
Harry Hauck: A Hunger for Bodies
From a distance, they appear solid: stone bodies, sturdy columns that fill the room. Whenr approaching them, one sees seams and valves; the dark grayblack of their surfaces creates the physical sensation of the presence of skin….
Dispatch: Istanbul
Kaija Kiuru, Kammio (Chamber), 2002. Lace tablecloths, 2m x 2.6 m x 2.6 m. At the time of the Istanbul Biennial, at least 15 other exhibitions appeared in venues ranging from a shopping mall to a 19th-century tram tunnel.
A Conversation with Bernar Venet, A Renaissance Artist of the Third Millennium
For Bernar Venet, being an artist means not only to paint or to make sculptures, but also to speculate—in art, science, philosophy, mathematics, geometry, and music. He is an internationally recognized painter, sculptor, and composer (of concrete music), and his main interest in art is to raise questions, to push his work further and farther,
Andrew Rogers and the Rhythm of Life
To meet Andrew Rogers is to be immediately aware of his vitality and optimism—qualities that, combined with his drive and commitment, have led him to produce some 300 works in bronze since 1988. In addition, he possesses an admirable flexibility that has enabled him to move into parallel areas of sculptural practice: his oeuvre includes
The Life of a Place: Dani Karavan
Dani Karavan has constructed a reputation in Europe, Israel, America, and Asia by working independently of the standard support structures made available to artists….see the full feature in April’s magazine.
The FACTs: A Conversation with Eddie Berg
Any history of the mutating developments in ’90s new media art must include Eddie Berg. Born and raised in Liverpool, England, the art-Berg began as an enthusiast and “made something out of nothing.” In 1988, he founded the Foundation for Art and Creative Technology (FACT), a Liverpool-based agency for the exhibition, support, and development of
