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Features


Extended Ephemeral: The South Carolina Botanical Garden’s Living Laboratory of Botanical Sculptures

March 1, 2004 by John K. Grande

The South Carolina Botanical Garden is a place where nature and culture meet. Yoga camps, clean-up activities, and school class visits enhance public awareness of nature and culture …see the full feature in March’s magazine.

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Forum: Roughing It: A Do-It-Yourself Guide to Sculpture Symposia

March 1, 2004 by Barry Tinsley

Brian Monaghan, Chicagoscape, 2003. Steel, 12 x 20 x 10 ft. Symposia are filled with the energy that artists often need to refresh their creative “batteries.” These experiences force us into unique situations that require the kind of “out of the box” thinking conducive to the creation of new sculpture.

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Focus: Patrick Killoran

March 1, 2004 by Judith Hoos Fox

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Focus: Michael Croissant

January 1, 2004 by Josephine Gabler

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Martha Jackson-Jarvis: The Process of Discovery

January 1, 2004 by Curtia James

The obsessions that awaken mixed-media artist Martha Jackson-Jarvis each day emanate from her love of family, her passion for cooking, and, she’s the first to admit, from her unabashed fascination with the elastic dimensions of clay.

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A Question of Perspective: Sculpture by Charles Ginnever

January 1, 2004 by Bruce Nixon

Charles Ginnever was on vacation in Maine in 1993 when he went to work on a design that had already been in his mind for a while. He started, as he often did, by tinkering with shapes cut from foam core; when he was done, he had produced an object that could stand freely in

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Playing with Fire: Armand Vaillancourt

January 1, 2004 by John K. Grande

During the summer of 1987, while visiting Quebec City, I first met Armand Vaillancourt as he was working on Drapeau Blanc, a monumental sculpture composed of over 92 tons of calcite brought in from the Saguenay Lac-St.

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Forum: Australia’s Sculpture Prizes

January 1, 2004 by Ken Scarlett

Robert Bridgewater, Red Trunk and Black River, 2003. Finalists for the Helen Lempriere National Sculpture Award. After a lapse of nearly 40 years, prizes, for a variety of reasons, have again become popular in Australia.

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Materialized Expression: The Sculpture of Liam Gillick

January 1, 2004 by Alicia Miller

The work of Liam Gillick needs to be entered through the totality of his practice. His artwork is intimately interwoven with his work as a critic, writer, curator, and designer. What he makes for the gallery space manifests, explicates, and proposes a complex of ideas that he is concerned with in all aspects of his

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Dialogue: Waltercio Caldas

January 1, 2004 by Collette Chattopadhyay

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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