Dispatch: Istanbul

Kaija Kiuru, Kammio (Chamber), 2002. Lace tablecloths, 2m x 2.6 m x 2.6 m. At the time of the Istanbul Biennial, at least 15 other exhibitions appeared in venues ranging from a shopping mall to a 19th-century tram tunnel.

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Andrew Rogers and the Rhythm of Life

To meet Andrew Rogers is to be immediately aware of his vitality and optimism—qualities that, combined with his drive and commitment, have led him to produce some 300 works in bronze since 1988. In addition, he possesses an admirable flexibility that has enabled him to move into parallel areas of sculptural practice: his oeuvre includes

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The FACTs: A Conversation with Eddie Berg

Any history of the mutating developments in ’90s new media art must include Eddie Berg. Born and raised in Liverpool, England, the art-Berg began as an enthusiast and “made something out of nothing.” In 1988, he founded the Foundation for Art and Creative Technology (FACT), a Liverpool-based agency for the exhibition, support, and development of

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Robert Klippel: Australia’s Greatest Sculptor

“A tribute exhibition to Australia’s greatest sculptor” was the statement on the invitation to the opening of Robert Klippel’s exhibition at the Art Gallery of New South Wales in Sydney. The press release from the gallery stated that “his vision stands alone in the history of Australian art” and that Klippel is “arguably one of

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