Kim Simonsson: Alien Innocence

Finnish artist Kim Simonsson speaks of finding his calling when he discovered ceramic. He describes its extreme variability and diversity of forms as a sort of paradise that allows him to exploit his artistic potential. The first work he created in this material was in the style of a common ceramic living room ornament—a dog.

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Feeding the Spirit of Adventure: A Conversation with Nicholas de Oliveira and Nicola Oxley

No research on installation art is complete without a conversation with Nicolas de Oliveira and Nicola Oxley. As founding directors of London’s Museum of Installation (MoI, 1990–2005), an influential nonprofit exhibition space, and authors of the equally influential books, Installation Art (1994) and Installation Art in the New Millennium (2003), their impact is well known.

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Lee C. Imonen: Nature, Technology, and Myth

Lee C. Imonen’s recent public sculpture is rich in references to nature, architecture and technology, myth, and the artist’s memories of childhood stories. Broadly cultural as well as personal, Imonen’s sculpture is also art historical, relating not only to 20th-century Modernist practice from Constructivism to di Suvero, but also to the Romantic cult of the

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