Northwest artist John Grade first made a name for himself with small, finely executed drawings and mid-size sculptures that subtly evoked the aesthetics and workings of organic matter. His current sculptural work and large-scale installations tend to reference phenomena from different geographical locations and point to a continued interest in the natural world.
Lynda Benglis: Material Personae
Lynda Benglis’s recent sculptures consistently direct the viewer to their material qualities. However, it is the narratives that develop in relation to the materials and shapes that are stressed in her works. As one moves from their commanding physical power to the richness of their metaphoric and emotional associations, their playful intelligence becomes more evident.
Tom Joyce: The Iron Iceberg
When the Twin Towers fell, Tom Joyce was in New York for an exhibition of his work at the Museum of Arts and Design. Several months later, a friend sent him a vial of ash from the site.
Miami: Sculpture in the Pleasure Dome
In December, as crowds pour into town for Art Basel/Miami Beach, Miami will once again become the darling of the international art set. Art Basel puts Miami in a brilliant spotlight, but there are other major players contributing to the city’s reputation.
Beverly Pepper: Primal Potential
Majestic, monumental, yet scarcely 10 inches high, Beverly Pepper’s “Explorations in Stone” may be uncharacteristically small works, but they have her signature robust stature, conveying a primitive energy and raw power. Photographed without scale markers, these marble, granite, alabaster, and onyx sculptures could be six or 60 feet high—and as Pepper is famous for her
Alwar Balasubramaniam: Uncharted Territories
Seeing is believing. In Alwar Balasubramaniam’s case, seeing and believing are two separate acts, depending on your discernment and perception. His prints, paintings, and sculptures, with their constant plays on the visible and invisible, illusion and certainty, challenge notions of the real and the unreal.
Sculpture as a Symphony: A Conversation with John Henry
John Henry is a prominent sculptor with large-scale outdoor installations on five continents and work in many museums and private collections. His sculptures recall Constructivism, but while the Russians made visionary drawings and models, Henry has built more than 2,000 architectonic structures from long shafts and hollow plates of steel.
Meg Webster’s Nature/Technology
Long before it was fashionable, when green was more commonly associated with the color of golf pants, Meg Webster was making work that reflected her interest in ecology, recycling, and the environment. In the late 1980s, taking a cue from Land Art and Minimalism, she began to explore the complicated relationship between nature and technology
Richard Deacon: Beyond Explanation
Last winter at L.A. Louver, Richard Deacon, in association with Matthew Perry, premiered Dead Leg (2007), a new large-scale sculpture composed of twisting, elongated sections of oak and custom-fabricated, stainless steel couplings, and the work later traveled to the Portland Art Museum.
Excavating Land Art by Women in the 1970s: Discoveries and Oversights
In New York in the 1970s, widespread desire for anti-traditional forms of behavior and art, surging feminist solidarity, and nascent environmentalism moved innovative women sculptors who worked in nature into a new presence in the art world.
