Installation view from the Japanese American National Museum with (foreground) Mei-Ling Hom. Silk Worm Grind, 2000, aluminum, silk, and motors; (middle) Kim Yasuda, 4 Empty Spaces, 2001, altered wooden dinette chairs and upholstery fabric from Tokyo Eidan subway trains; and (background) Beliz Brother, Untitled, 2001, bamboo, aluminum rivets. and metal clips.