Madeline Hollander

NEW YORK Bortolami Rather than trading on Deleuzian idioms and hackneyed “rhizomatic” platitudes—which, even if applicable, merely describe the ubiquity of synthetic processes, having little to do with sculpture’s necessary domain of optical perception—Hollander’s work homes in on the relations of linked relata.

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Corrupted Perfection: A Conversation with Eva Rothschild

Eva Rothschild, who will represent Ireland at the 2019 Venice Biennale, expands on the Modernist sculptural tradition, using a range of materials including jesmonite, wood, Perspex, steel, aluminum, polystyrene, fabric, leather, and beads. Her work often examines how objects acquire meaning peripheral to their material reality through the different beliefs, ideologies, and religions imposed on

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Unknown Extremes: A Conversation with Tania Kovats

Tania Kovats’s work encompasses sculpture, installation, and large-scale, time-based projects that investigate the layered aspects of landscape—that which lies beneath and beyond what is perceived with the naked eye. These unknown spaces— shifting tides, weathered rock faces, wood grain, and even the uncharted territories of outer space—are mysteries to be unraveled.

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“Your Feast Has Ended: Maikoiyo Alley-Barnes, Nicholas Galanin, and Nep Sidhu”

Seattle Frye Art Museum “Your Feast Has Ended” brought together three young sculptors who share cross-disciplinary approaches to tribal identity, gender, and the social and political status of minorities. Co-curators Jo-Anne Birnie Danzker and Scott Lawrimore gave the artists generous latitude: each piece was accompanied by a lengthy, detailed explanation, often accusatory, hectoring, and contradictory.

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Sculpture and Architecture in Dialogue: A Conversation with Diana Thater

Diana Thater is an internationally renowned video artist who combines large-scale video projections with sculptural arrangements of video monitors in complex installations known for their striking use of color. A recipient of numerous grants and awards from organizations such as the National Endowment for the Arts and the Franco-American Foundation for Contemporary Art, Thater has

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