Toronto
The Power Plant
Teresita Fernandez’s narrow corridor of scrim-covered mirrors is dim and gray, as if in twilight… for the full review see the print edition of January/February 1999’s version of Sculpture magazine.
The Power Plant
Teresita Fernandez’s narrow corridor of scrim-covered mirrors is dim and gray, as if in twilight… for the full review see the print edition of January/February 1999’s version of Sculpture magazine.