Ruth Asawa

ST. LOUIS, MISSOURI Pulitzer Arts Foundation While “Ruth Asawa: Life’s Work” did not present her life experience idealistically, her creative, ethical response to her experience and her tenacious devotion to labor became almost transcendent models of work-arounds for obstruction.

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58th Venice Biennale

VENICE Central Pavilion and Arsenale It could be said that Rugoff’s eschewal of a general theme has a Whitmanesque ambition to “contain multitudes,” letting the rooms swell with the unmediated voices of the artists, every object a megaphone. Yet the question in producing behemoth exhibitions like this is always the same in terms of the number of artists and works: How many? The answer is also always the same: as many as the space will bear.

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Cecilia Vicuña

BERKELEY AND BROOKLYN Berkeley Art Museum, Pacific Film Archives, and Brooklyn Museum The turbulent history of South America—from the advanced civilizations of the pre-colonial era up to the ravaged present—lies at the heart of Cecilia Vicuña’s work.

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Agnes Denes

NEW YORK Socrates Sculpture Park he Living Pyramid, recently installed at Socrates Sculpture Park, marked Agnes Denes’s first major New York environmental statement in art since 1982, when she constructed the fabled Wheatfield—A Confron­­tation, a two-acre site of wheat growing only two blocks from Wall Street. This time, her motif was not so directly adversarial. The Living Pyramid was dedicated to David Rockefeller on the occasion of his 100th birthday for his interest in art and the environment; it looks like Denes has made her peace with the captains of industry.

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