September 2004
John Grade
Seattle John Grade’s fourth solo show in…see the full review in September’s magazine.
Gregory Barsamian
Pittsburgh Using the idea of a zoetrope…see the full review in September’s magazine.
Yayoi Kusama
Tokyo After a 50-year career, which has…see the full review in September’s magazine.
Sarah Stout
Washington, DC Sarah Stout’s exhibition of stone…see the full review in September’s magazine.
The Manifestation of Awareness: Buddhism and Contemporary Sculpture
Continuing into 2005, art institutions on the East and West Coasts and in between are offering exhibitions, performances, readings, and panel discussions that explore the relationship between Buddhism and art in the United States….see the full feature in September’s magazine.
Digital Sculpture: Ars Ex Machina
In the mid-19th century, Oliver Wendell Holmes hailed the photographic, dual-image “stereograph,” a term he coined, as mankind’s greatest achievement because its three-dimensional illusion allowed “form henceforth divorced from matter.”1 Since that time, form has repeatedly asserted its independence from matter in myriad photographic and cinematic inventions.
