Faster, 1982. Mixed media. If motorized sculpture could be cast in dramatic roles, Rebecca Horn’s sporadically silent and staccato objects would fit nicely in existential melodramas à la Samuel Beckett; Bruce Nauman’s heavy irony and foreboding forms seem to embody Antonin Artaud’s Theater of Cruelty; and Jean Tinguely’s lightly satirical fusions of parody and absurdity
October 1998
October 1998
Pierwalk ‘98
Dispatch
Peter Kennedy
Melbourne
Pietro Consagra
Darmstadt
Per Kirkeby
London
Ed Wicklander
Seattle
Louise Bourgeois
Raleigh, NC
