In Letha Wilson’s sculptures, photographic images (many taken during her forays into the American wilderness) act as transformative skins. As much façade as form, her assemblages involving concrete and metal are physically activated by the scenic views applied to them and conceptually charged by the associations and myths of those distant landscapes.
Carlos Herrera’s work does not permit indifference. His intimate installations, sculptures, performances, and photographs reflect on life and death, madness, sexuality, rites of passage, and spirituality as he tries to make the visible and material into the “stuff of memory” and emotion.
For over 30 years, Brazilian artist Valeska Soares has used the tools of Minimalism and conceptual artto create sculptures and installations imbued with emotion and humanity, that explore love, intimacy, and desire, loss and longing, memory and history.
Working across sculpture, drawing, and installation, Mexican artist Jorge Satorre weaves complex, subversive narratives around a variety of themes, including labor, value, memory, and desire. As these diverse strands become fruitfully entangled, they create unforeseen meanings and serendipitous synchronicities.
Ghada Amer’s sculptures, embroidery paintings, and public garden projects create unsettled narratives of longing and love. Clear-cut definitions and judgments have no place in her work, which is all about ambiguity and paradox. Her recent bronzes are conceived as rectangular, mostly horizontal partitions, folded just enough to allow them to stand upright on the floor.
Suchitra Mattai’s multidisciplinary work explores how memory, myth, and oral traditions can be harnessed to unravel received narratives rooted in patriarchal and colonialist systems.
ZURICH Hauser & Wirth Vulnerability defines these sculptures, and Baghramian forces the viewer to look into details and juggle anomalies of shape and composition for their significance.
NORTH ADAMS, MASSACHUSETTS MASS MoCA The cooler offers skim bag milk to pour over Caps ’n Such cereal topped with blue bag berries. Delight is subsumed by acute nausea. This grotesque place has tricked us into hungering for plastic.
ROCKLAND, MAINE Center for Maine Contemporary Art The exhibition title, “Nature Cult,” lays out the immense challenge that Moffett has set himself—the development of a new kind of visual language to deal specifically with the issue of climate catastrophe.
GREENOCK, SCOTLAND The Wyllieum Wyllie described himself as a “scul?tor”—he had a thing about question marks—and believed that asking awkward questions about the world we live in was the artist’s role.
