Martand Khosla’s sculptures capture the evolutionary forces at work in the modern city, with its constant churning, its shifting appearance and demographics, and the dynamics of the divide between rich and poor.
November/December 2020
November/December 2020
Inside Ideas: A Conversation with Nathan Coley
Nathan Coley, who was shortlisted for the Turner Prize in 2007, has been working in Glasgow, Scotland, for over 25 years. Like many artists, he avoids characterization and “dislike[s] most terminology that describes art practice in any way.”
Candice Lin
CLAREMONT, CALIFORNIA Pitzer College Art Galleries Candice Lin’s work involves equal measures of dark poetry, speculation, fiction, DIY science, futurism, queerness, and art history. Its concentrated physical materiality is rendered even denser by layers of association and reference.
Acting on Impossibility: A Conversation with Ignacio Unrrein
Architect and doctoral candidate at Argentina’s National University of Arts, Ignacio Unrrein explores highly theoretical terrain in very concrete terms. His works occupy gaps—in perception, art-making, and personal relations (whether between individuals or between citizens and the city)—sometimes closing them, sometimes widening them, but always drawing attention to their existence and promise of opportunity.
About the Search: A Conversation with Frances Richardson
British sculptor Frances Richardson, 2017 recipient of the Mark Tanner Sculpture Award, endows utilitarian materials such as Perspex and wood veneer with unexpected lyricism and elemental force.
The Roots of Sustenance: A Conversation with Tracy Linder
Tracy Linder’s Western roots have nourished her work since she was a student at Montana State University in Billings. Though her installation-based projects often celebrate the nobility of rural life and the natural cycles of the seasons, there’s not a trace of sentiment in her approach.
Dahlia Elsayed and Andrew Demirjian
WASHINGTON, DC Transformer In “Which Yesterday Is Tomorrow?” collaborator artists Dahlia Elsayed and Andrew Demirjian reimagined a future rest stop by riffing on their Southwest Asian and North African (SWANA) heritages.
A Conversation with Shahzia Sikander
Born in Lahore, Pakistan, Shahzia Sikander trained first as a miniaturist at the National College of Arts in Lahore before moving to the United States in 1993 to pursue her MFA at the Rhode Island School of Design.