Thomas Müller’s practice highlights the importance of the handmade and the meaning of material choices in an odd way. His work relies on inbuilt contradictions of intact/broken, coherent/indistinct, permanent/ephemeral, and manifest/implied, which all relate closely to the still-life trope and its associations with life, decay, and death.
At 70 years old, Alison Saar is looking forward to expanding the size of her studio so she can take on larger, more ambitious projects. Showing no signs of letting up or slowing down, she continues to explore family, spirituality, and race, mostly through the female form, drawing on a wealth of references and traditions
Inês Zenha arrived in Paris in 2018, a 23-year-old transgender artist known for transforming discarded street objects into art. Their practice took a decisive turn five years later with “Ressurreição (Resurrection)” (2023), an immersive exhibition that boldly addressed the fluidity of gender.
The human body has always been at the core of Carole A. Feuerman’s artistic poetics. At the beginning of her career, in the late 1970s, her sculptures presented the body in fragments, yet charged with energy, vitality, and eroticism.
Recipient of the 2026 Lifetime Achievement Award In Memoriam Known for stacking lengths of wood into structures that resemble pyramids, stairways, and towers, Jackie Ferrara (1929–2025) imbued the sleek forms of Minimalism with an aura of ancient mystery.
Few artists have constructed worlds as singular, cohesive, and quietly radical as those of Mark Manders. For more than three decades, he has been adding to what he calls his “self-portrait as a building”—not a metaphor, but a monumental, ever-expanding structure composed of sculpture, language, and thought.
